El Paso, TX’s Scattered Storm have a debut EP Oblivion coming out this summer (July 9), and in advance are releasing the second single “Aeon Flux”. Scattered Storm’s music can be described as both primal and futuristic, a juxtaposition that can only be pulled off by seasoned musicians.
“Aeon Flux” was the first song written by Kevin Armstrong (guitars) who sent it off to Jay Arriaga (drums/keyboards/samples) and kickstarted what would become a state supergroup along with Andre Acosta and Ed Razor (Pissing Razors). The song lyrically focuses on a lot of fake friendships and backstabbing.
The band continues to explain: “The song musically is very percussive and has a very tribal feel all throughout. Its pulse is steady like the beating heart while there is all this chaos and aggression behind it. Andre took that aggression very well and kept it by growling continuously and not singing clean vocals. Again the primal aspects continue up until the end where it is obvious with the tribal chants that the ending breakdown is about to destroy. This was done intentionally to kick ass live.”
Full of catchy hooks and memorable vocals, Oblivion is a debut EP that will be eaten up by listeners. It was mixed by Jay Arriaga (drums/keyboards/samples) who then sent it to their good friend Alan Wallace from Eminence in Brazil to master.
Formed three years ago, Scattered Storm is a group of seasoned musicians that write very dark, futuristic heavy music with a lot of ambience. They are recommended listening for fans of Fear Factory, Gojira and Devin Townsend.
The lyric video for “Aeon Flux” can be seen and heard via its premiere on New Noise Magazine HERE.
Tracklist:
Aeon Flux (3:40)
Under The Fire (4:03)
Kingslayer (4:43)
Empty (4:23)
Necronomicon (3:16)
Scattered Storm (3:35)
EP Length: 23:41
Band Line Up:
Drums, Keyboards and Samples: Jay Arriaga
Guitars: Kevin Armstrong
Live Bass: Eddie "Razor" Garcia
Vocals: Andre Acosta
About:
Scattered Storm hails from El Paso, Texas, USA and is a state supergroup comprised of seasoned musicians Andre Acosta and Ed Razor from Pissing Razors fame with band founders Jay Arriaga (No Life on Earth, Years of Cold), and Kevin Armstrong (Mondoshawan, Section 6). Their music is very dark, futuristic and heavy, but also has a lot of ambience.
Formed in 2019, the band has been polishing itself since and decided on an ultimate direction to go in. From the beginning, there was a very clear understanding of every detail they wanted to incorporate. From the very tuning of the 7 and 8 string guitars and the very specific tonality, they produce the ambience provided by the keyboards to layers and layers of vocals to really convey Acosta’s sound. This is all finished off with the main focus, that catchy riff and rhythm to have the songs stay on people’s minds and headbanging of course. Gotta have headbanging.
A Scattered Storm song begins with Arriaga and Armstrong exchanging riffs, with an emphasis on a technicality, but never losing the groove. After the song is polished, it goes to Acosta who applies the fantastic to the real world through the vocals.
When Scattered Storm hits the stage, the audience can expect a combination of the primal vs the futuristic as described in the lyrics and song title names. In the summer of 2021, they are unleashing their debut EP Oblivion via Blood Blast Distribution powered by Nuclear Blast.
The Metal Robot Podcast celebrates 10 years of Metal Robot Reviews with new album reviews, a trip into the Essentials Dungeon for King Diamond’s Abigail, and a year-in-review discussion with Collin Sterling.
Death metal filth, metalcore controversy, and a brutally honest take on the “metal is dying” debate—plus a powerful mental health conversation with Backline.
Black metal exploration, an Essentials Dungeon look at a Holy Diver, and a conversation with Testament’s Chuck Billy!
Metal Robot dives into melodic hard rock, sludge, and old-school death, spins the Metal Archives Roulette for a Canadian tech-death surprise, and predicts the Year of Thrash 2026 with Collin
In Virtue joins the Metal Robot Podcast to break down Age of Legends, a Sisyphus-inspired concept album born from chaos, self-forgiveness, and six years of hard-earned persistence.
Burned In Effigy join the Metal Robot Podcast to talk Tyrannus Aeternum, neoclassical death metal, and total conquest this Halloween.
From parking-lot origins to Icelandic black metal chills, this episode is stacked with riffs, chaos, and fresh stories from the scene.
More News…
1982 will be released on November 10th, 2023 through Steamhammer / SPV
This masterful creation is slated to hit the shelves on October 27, 2023, courtesy of Napalm Records.
Violence Is The Answer! is up now for pre-order and will be released September 22nd on CD and Digital formats along with merch.
The re-issue is due out tomorrow (August 4, 2023)
Shades of Sorrow is due out this Friday, August 4, 2023
Existential Dread Metal is now an official sub-genre thanks to these guys.
90s Death Metal but Canadian and Just As GNARLY!
Heavy but smooth with a bunch of screaming vocals. Yet the song is clearly recognizable as a Red Eleven track.
DragonForce but with the power of friendship!
To debut her vocal prowess they are unleashing a reenvisioned, remixed, and remastered version of the single and music video "Siren Head"
Metal Robot Reviews
Listening to Battlegrave’s Enslavement at 2 A.M. was a terrible life choice—and one of the best musical decisions of the month.
Kreator’s Krushers of the World is thrash done right—fast, ferocious, groove-heavy, and smart enough to avoid the genre’s worst clichés.
Alter Bridge’s self-titled 2026 album lands with all the weight, hooks, and groove you could want from the veteran quartet.
Germany’s gothic rock veterans Mono Inc. are back with their 13th studio album, Darkness.
Lindsay Schoolcraft returns to the Metal Robot Podcast to talk about her new album Harrowing. Plus, we review new releases from Shadowborne, Conflux Collective, and Drakkar before spinning the Metal Archives Roulette wheel into Moldova to discover Neuromist.